Friday, March 28, 2008

now to get on with it

It wasn't at all like I thought it'd be. I called A's assistant, D, who has been taking care of J's dog Dillon while J was in the hospital, to ask about Dillon; she said Dillon's doing about the same (he's on a lot of pain medicine for his cancer). I also mentioned that if she needed any help, to let me know. She said that LR was going to be at A's house to work on it before A's return home -- this was on Tuesday -- and said if I had any time that I could be utilized. I called LR and she told me she was going to "tornado" through the house. I kind of assumed that meant she was going to clean, but when I got there, she was rearranging stuff. Come to find out, she was going to rearrange the furniture and the artwork and knick-knacks, everything in every room so that it didn't remind A of J, so that she didn't have anything to make her aware of his absence in her home. (This was actually A's idea, I think, which is really kind of brilliant.)

I was put in charge of getting all of J's medicines out of the house; I started in his personal bathroom (which LR made an obvious point of not calling it that anymore -- ditto for his personal closet, it was now being called "the bedroom closet," which seemed a little weird, but okay, that's fine), put every Rx bottle with J's name on it in a garbage bag, along with face masks and latex gloves and dry mouth toothpaste, etc. I also put the portable potty chair in the back of my truck so that it could be dealt with later, donated to a hospice or something, perhaps.

After that, I started cleaning off all that covered J's desk in what would now be called "the sitting room" (actually, every room had a sitting area in it), boxing up CDs and post-it notes, pens, headphones, etc.

Before long, other people started arriving -- mostly people from the Dance group that we all belong or belonged to -- everybody given a job by LR as soon as they walked through the front door (unless they had a specific project in mind, like K, who arrived with white sage and set about "cleansing" every nook and cranny in the house).

At one point, when there were well over a dozen people working on moving furniture, boxing the contents of "the bedroom closet," dusting, vacuuming, I clashed with someone on what I thought would be the next part of the job I would do. It wasn't a major thing, just somebody saying, "Don't do that because I have to do this," even though it was the second part of a job I'd started when I first arrived (and was the only helper involved). I guess what annoyed me a little was that he said, "Why don't you go do this instead." It wasn't so annoying that I lashed out or anything, it just made me want to be done and go home. I had been there a few hours by this time.

From that point on -- while I found myself in charge of organizing the laundry room which is connected to the garage, and having to constantly move boxes from other parts of the house that people put in the place I had cleared away for a zippered closet someone was supposedly going to purchase at some point during the day for J's hanging clothes -- I kept looking for my opportunity to leave. But there was so much to do. And I kept jumping onto other projects, and kept having people "assigned" to help me, and they were usually people I liked hanging out with. So I didn't go and I didn't go, and then it was suddenly seven o'clock and someone said, "A's here," and I looked around, amazed that everything had actually come together, because not thirty minutes before that moment, there were piles of bedding and piles of furniture and stacks of artwork that didn't look like they would find their proper places or hiding places by the time A arrived, but they did.

I was in the garage when she walked into the house. I thought about sneaking out the back gate, not because I didn't want to see or say anything to A, but because it was such a huge group of people; I thought she might be overwhelmed. (I should have known it was exactly the thing A loved; I should have been honest with myself that it was the kind of thing that would more likely overwhelm me!) I decided instead to stick my head into the front room and give a hug. And as soon as I did, A's son M saw me and came over to hug me, bursting out into loud sobs as he came. We hugged for a long time; A came and joined us. I had met M at the hospital (and in Austin) a couple of times around J's illness -- he and his sister L both live in San Francisco now. I guess they had just been talking about me or something; M said, "We were just saying we couldn't wait to throw out all of J's medicines!" I told him I understood and had already taken care of it.

People arrived with food (of course) and a couple of hours later, I was still there, drinking wine, visiting with J's brother P, A's infant grandbaby W, and other people I know from the Dance group and from other places in J's life. It was a pretty spectacular event.

Every day since then -- and ongoing through tomorrow -- they are sitting Shivah at A's with the family (her kids, their partners, J's brother and father). I decided to make some brownies to take today. I always used to take J brownies when I visited, because he loved them, and because he always needed more calories. I found a recipe online for black bean brownies that I wanted to try. I set out to make them yesterday and had to go to the store twice, had to shell pecans for forever, and used almost every mixing bowl in the house -- the process took four hours in all (and then I couldn't even sample them until this morning because they have to set in the refrigerator overnight because they're so moist and crumbly).

But it was worth it. I had half of one this morning -- S had the other half -- and right now I feel like I made a mistake by putting that in my body at 7:30 a.m.! I feel all speedy and hyper (the recipe has instant coffee in it, and lots of black beans). It's surprising that they doesn't taste beany at all. The taste is very similar to flourless chocolate cake; they are quite yummy. Here's a link to the recipe.

Sunday is J's memorial. It's an all-day affair. I'm sure there will be a special Dance in his honor, but I doubt I'll go to that (I've been enjoying going to Austin Dharma Punx lately). From 2:00-4:00 the service is at the alumni building on the UT campus (J was a professor). After that, from 5:30 on, there will be BBQ at a place called the Salt-Lick Pavilion (in a town thirty miles from here called Driftwood, Texas), with LZ Love providing musical entertainment. There will be an open mike there as well.

Tuesday, March 25, 2008

goodbye to a dear friend

I got the email yesterday: Medicines pulled, John will pass soon, his soul will live on.

It was difficult to focus on my writing, so I did organizational stuff . I walked to yoga at four, got back at six, talked to P awhile on the phone. I had thought about going to the Dance (where I met J) but couldn't muster up the desire after S and I got home from 2-for-1 veggie burgers at Hut's; I just wasn't sure I wanted to be in the energy that I thought I might find at the Dance. I had transcription work to do, so I did that for a few hours. At eleven o'clock, I got an email from M -- who was going to cat sit this weekend while S and I went to Houston to visit J & A, and then go to my grandfather's 94th the next day: You may already know ~ John died tonight. That was the first I'd heard, but it wasn't a surprise. The night before, I'd had a dream. I saw J in a hospital hallway, he was wearing a blond wig and was smiling and looking around (he was blind). I said to him, "You look like you came back from the dead -- if I can say that...!" He said, "You can say whatever you want!" (That was the night after Easter.)

J was a sweet man, gentle, compassionate, brave (S said he was the bravest person he'd ever seen go through such a thing); but my relationship to J was more about his humor. We shared a sort of twisted humor, which did both of us a lot of good. You have to find a way to laugh when you're spending all that time in a hospital. We spent many hours together in different rooms, me ushering him around while he got blood drawn and spinal taps and checks for this and checks for that and waiting for prescriptions, etc. This was a year to a year-and-a-half ago. He made funny faces which cracked me up, and since he couldn't see me, I felt the need to vocalize my funny faces back to him. Sometimes A would just ignore us -- we were grown men acting like junior high schoolers -- other times, I think she just didn't get it.

That's the thing about having a humor connection with somebody. Sometimes it's obvious to others what funny thing is going on, other times it is just for the two people who share it. Good ol' J; I'll miss that goofy smile and those upward gazing eyes.

And he liked brownies. I love somebody who has a well developed sweet tooth. When the hospital portion of his treatment was over, when he was back in Austin and I would go to their house to organize prescriptions into baggies, I often stopped and bought him a brownie. I got them from different places; I tried to get them from a different place each time. He usually liked them. I usually knew what they tasted like, though, because I usually got one for myself as well!

He also liked animals. Well, I should rephrase that. He had a strong connection to one animal in particular, Dillon, his guide dog. I started crying last night when I realized that J wouldn't be coming home to Dillon, and what will Dillon do? Dillon has been battling cancer of his own for the past six months or so. It's interesting how connected those two are.

I don't know what else to say. I'm sad.

I was able to get some writing done last night after all. I couldn't just sit here and think about the sadness, so I wrote. And I seemed to have a burst of inspiration. I won't say it was J inspiring me from beyond, but he was certainly on my mind. When I got into bed, I had to keep turning on the light because little ideas kept popping into my head, great little ideas that I had to write down, that I would be kicking myself over this morning if I had thought I would remember them because I probably wouldn't have.

This morning, when I awoke, I got the next email: John passed away peacefully at 10pm Mon, March 24. I have a feeling his memorial service is going to be quite the celebration.

Friday, March 21, 2008

sugar for the soul

I was a little worried about turning on my computer today. I got an email from A regarding my friend, her husband J's condition (he had a bone marrow transplant for leukemia about a year ago and has had recent complications), which P, who is a social worker, said sounds like he's in the last stages. I was afraid I would open up my gmail to a message I'm not looking forward to reading.

I don't feel the same kind of sadness about death and dying as I do about life and love. I think I'm pretty square on the end of life thing. I don't want people to suffer -- I don't want to suffer -- but it seems like, after death, there's not a lot to worry about, not for the dead anyway.

But J's health has brought up some issues for me that go back twenty-eight years, back to when my father went into the hospital (the same hospital in Houston that John is in) for surgery on a brain condition -- an intusion, I think it was called -- after which he died in recovery a couple of weeks later. It is further complicated by the fact that we were a very religious family (Asssembly of God), and I prayed that he would die... because I was 16 and because our connection was tenuous at best.

I'm not wishing for anything but recovery (or at the very least comfort) for J. I was there during the BMT process, spent three days a week in Houston going back and forth, to help out J & A during the whole episode. He came back to Austin and was doing pretty well for a while, but then mold-like spots started appearing on the EEGs and he was put on medications to try to get rid of that, and now he's got pneumonia, and more recently, he's stopped talking, can't walk or even sit up on his own...

I realized when the need for brain surgery came about, I pulled away from J & A physically and emotionally. I didn't stop going to their house on a weekly basis to organize his myriad of pills (something like fifty to seventy-five a day) into baggies -- BREAKFAST/ LUNCH/ DINNER/ BEDTIME -- because J is also blind and A is overwhelmed as it is, but I did feel a real disconnect when the brain thing came about (even though the leukemia was in his brain, it didn't seem like the same thing as the words "brain surgery"). I realized I have some residual difficult emotions around my father and his death and my guilt for years (not anymore) over my possible hand in his death.

S and I are going to Bigtown (my hometown) next weekend for my grandfather's ninety-fourth birthday. (At first I was thinking Why not wait until his ninety-fifth birthday, wouldn't that make more sense? But then I realized that when you get to be as old as he is, each birthday is worthy of celebration.) We're going to stay the Saturday night before the party in Houston, visiting with J & A, taking her out to dinner -- like she's done for me/us so many times before. That'll be nice. I just pray I don't get a sad email before then.

This weekend -- tomorrow -- is S's birthday. I'm gonna make my Aunt Melba's "Dream Chocolate Cake with Fudge Icing" (as written out for me by my dearly departed Nana, her younger sister):

I
  • 1 stick Oleo
  • 1 C. Water
  • 1/2 C. shorting
  • 1/4 C. Coco
: Bring to a boil

II

  • 2 C. flour
  • 2 C. sugar
: start mixing.


III

  • 1/2 C. butter milk
  • 1 t soda
  • 2 eggs
  • 1 t vanilla
Pour #1 over #2 mix well mix in #3 mix well Bake 1 hr 300 º Grease & flour loaf Cake pan This will not work in tube pan.


Fudge icing
  • 1 stick oleo
  • 1/2 C. coco
  • 1/3 C. milk
:bring to a boil and pour over powdered sugar

  • 1 box powdered sugar
  • 1 T. vanilla
if its too thin add a little more sugar etc.

I invited some people over -- neighbors and friends -- and we're gonna have cake and ice cream! Tonight, I'm taking S out for dinner at a restaurant of his choosing: an Indian vegetarian buffet called Madras Pavilion. Sounds good to me.

Wednesday, March 19, 2008

phyllis diller killed by horse cock

I get frustrated with internet searches because I'm too curious. The other night S and I were talking about my interest in doing a Phyllis Diller karaoke-style performance piece called "Phyllis Diller's Comedy Record." I came to my computer to look for Phyllis Diller videos on YouTube, and finally stopped myself before I went to the link to see the man who died after getting fucked by a horse. Here's the path I took to get there:

  1. Phyllis Diller's Sink (posted by CraigSD)
  2. Phyllis Diller's farewell stand-up performance (from the DVD Goodnight, We Love You) (posted by jimgor)
  3. TV SHOW PHYLLIS DILLER 1960 RARE ? (posted by TVNETWORKS)
  4. JIM BAILEY AS PHYLLIS DILLER (posted by CAMPBELLMAN 222)
  5. JIM BAILEY Barbara Streisand and Judy Garland Compilation 1 (posted by CAMPBELLMAN 222)
  6. JIM BAILEY as Judy Garland on award show 1970s (posted by CAMPBELLMAN 222)
  7. JIM BAILEY: Madonna, Marilyn Monroe and Talullah Bankhead (posted by CAMPBELLMAN 222)
  8. JIM BAILEY Classic TV (a game show in which he answers in a funny voice yes or no to questions posed to him by Lucie Arnaz, Soupy Sales and two more celebrities in blindfolds while they try to figure out his identity) (posted by CAMPBELLMAN 222)
  9. JIM BAILEY Judy Garland 'Get Happy 1979' (posted by CAMPBELLMAN 222)
  10. lucy - get happy (a montage of photographs of Lucille Ball set to the song "Get Happy" which isn't by Judy Garland, I don't think, but I'm not sure if it's Lucille Ball singing) (posted by rljl219)
  11. Rufus Wainwright - Get Happy (semi-Judy drag from his Carnegie Hall tribute to Garland) (posted by MarcFlare)
  12. David Cassidy Come on get happy (posted by TorvilleDeanFan)
  13. David Cassidy - C'mon Get Happy (posted by n1c0le22)
  14. The Partridge Family I woke up in love this morning (posted by star618)
  15. The Partridge Family - I think I love you, original version (posted by andreklau, a videotape of his TV screen)
  16. American Music - Violent Femmes (music video) (posted by mrmojorisin1)
  17. Violent Femmes AMERICAN MUSIC an acoustic punk documentary (posted by American Music Film)
  18. Erica Loves Cock (on the YouTube "American Music Film" channel)
  19. death by horse cock reaction (posted by maegan 1987)
  20. death by Horsecock (reaction, which includes the html for the actual video, which I didn't go to) (posted by Hjernespreng)

Sunday, March 16, 2008

sxsw film pass day nine

I made it. All nine days. It's over now, and I'm weary but happy for the experience. I considered taking it easy on the last day of the festival, since I'd already made my $70 pass pay for itself and then some, but there were some films available to see that I really wanted to see, and since the music portion of the festival was going strong, I figured I would have an easier time getting into them. I was right about that.

All three films were showing at the Alamo Ritz, which is in the heart of the headache that is SXSW. Sixth Street, I mean. The thumping music coming from bars all around me added up to a bunch of loud noise, but it was fun gawking at the young and old going up and down the parade route. The sun bore down like an evil eye from above; thank goodness I'd remembered to wear a hat. But then when I thought I could take it no more, the light from the sky suddenly turned shimmery and shady. The sun had just gone down behind the crest of the owl head-looking top of the Frost Bank building, Austin's most iconic building. I love that building (more so now because of the favor it did for me at SXSW 2008).

Film #16 was Registered Sex Offender.

There may be one thing worse than being a sex offender sent to prison: Being a sex offender released from prison. RSO tells the story of one offender's unlikely rehabilitation.

Another vague synopsis which led me to believe this could be a documentary. But I was onto them by this point and saw that the film was scheduled in the "Narrative Features" department, so I kinda knew what I was in for. Kinda. The picture (above) led me to believe something different about the film as well; that scene did not appear anywhere in the film. Hm, interesting.

But I'm interested in the subject matter, so I would have wanted to see it whether it was a documentary or a narrative or a slide show. Seriously. So off I went.

It's a comedy; I think it's all right to say that. That doesn't give anything away. It was also filmed in Austin, which was cool to see. I recognized a couple of locations and I recognized a good number of the extras, mostly because of the fact that I've seen them around town, not that I know them (because I really don't know anybody, you know!).

The movie was filmed documentary style, a big thing this year (though it doesn't really seem like any of them are attempting to be mockumentaries, so I'm not really sure what's going on. I guess it's probably a lot cheaper to film movies in this style -- it doesn't matter if microphones or cameras are seen on the screen. I really don't have any problem with it; it's just an observation. The main guy I was a little worried about at first because he was so hateful; he was being interviewed at prison and was saying things that made me squirm in my seat. I don't mind that either, but I was a little worried that there was no purpose to it. But I was wrong, I'm happy to say.

Oh, and the opening credit sequence -- an animation bit with fun music -- was brilliant; I would recommend the movie just so people could see that.

Film #17 was Joy Division.

In 1976 four young men from ruined, post-industrial Manchester went to see the Sex Pistols. They formed a band, Joy Division. Three years later the lead singer, Ian Curtis committed suicide just as they were on the brink of worldwide success. Together Gee and Savage investigate why Joy Division's collective musical genius and singular vision enjoys a larger audience and influence thirty years on. Featuring the unprecedented participation of the surviving band members of Joy Division, now known as New Order, the film chronicles a time of great social and political change in England of the mid-70's and tells the untold story of these four men who transcended economic and cultural barriers to produce an enduring and profound legacy, one that resonates fiercely in today's heavily careerist music industry and over mediated pop culture.The band's remarkable story is depicted through atmospheric never-before-seen live performance footage, photographs both iconic and personal, period films and newly unearthed audio tapes; taking us through the band's early years as individuals finding their voices and then later as a band, building their ideas and ideals. The documentary situates the band not just in the musical context of punk and post-punk but in the culturally starved, claustrophobic landscape of post-industrial Manchester that surrounded them and suffuses every note of their music.This unparalleled visual account of a time and place is coupled with heartfelt and animated, present tense accounts from the surviving members of the band Bernard Sumner, Peter Hook and Stephen Morris, plus other key characters in the story, including friend and similarly isolated musician Genesis P. Orridge, the late legendary Factory Records owner Tony Wilson, iconic graphic artist Peter Saville, photographer/filmmaker Anton Corbijn, Annik Honore and others. A documentary film about Joy Division, produced by Hudson Productions partners Tom Astor and Tom Atencio and Brown Owl Films' Jacqui Edenbrow, is directed by Grant Gee (Radiohead's 'Meeting People Is Easy') and co-written by acclaimed journalist/writer Jon Savage (England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond).

I was one of those people who discovered New Order before Joy Division. The synopsis says it all. It's a good film; it'll be fine to see on VH1 or some other cable channel.

Film #18 was Love Songs.

I had this movie on my big list, but then it got taken off because of scheduling conflicts, but then things shuffled around again, and there was an opportunity to see it as my last film experience of the festival, which meant I would have to leave the previous movie and get right back in line and stand there in the noise and now the unnatural lightness beneath the dark Austin sky.

When I got into the theater, I had told myself I wouldn't eat anything -- I had a pizza and a root beer at Registered Sex Offender, french fries and a beer at Joy Division -- but felt compelled to support the wait staff somehow, so I ordered decaf coffee and the plate of cookies ("fresh baked to order"). A couple sat next to me -- the guy reminded me a little bit in his looks but more so than his manner of my friend D from Boulder, Colorado, whom I first met in Nashville. We said hi but not much more until he went to the bathroom and his girlfriend asked what this movie was about. "I have no idea," I confessed. She said, "I know it's French." (I didn't even know that.)

When the boyfriend returned, he joined in our conversation about movies we've seen and liked (as is the habit, in this year's festival anyway), and then my plate of four huge cookies arrived and I offered them one, and made a pretty convincing offer, so they said they would eat half of one, and he took one and pulled it apart, and the chocolate chips were like molten lava, and they dripped all over his hands and stuck burning to him as he struggled, juggling the boiling dough from hand to hand with a pained smile. Finally, I got it and offered a napkin for him to put the cookie on, he apologized for taking my napkin, I apologized for offering him a cookie like that, we laughed and became automatic friends (though we didn't exchange names -- it was sort of a one-movie friendship).

The movie was a musical. Hooray! I was so happy when I left the theater, it was a delightful musical; not an early Hollywood era musical, a regular story about a man and his girlfriend, and their girlfriend, and the things that happen when tragedy strikes and how the secondary girlfriend's new boyfriend's younger brother and roommate makes a play for the main guy, and the sweet and sad and bittersweet things that come about for everybody. With songs! The main guy is played by Louis Garrel, who is the son of filmmaker Philippe Garrel, whom I discovered recently at a retrospective of his films (though I thought the film with Garrel -- filmed in scratchy B&W -- was actually a film from the late 60s; I guess it's obvious I'm more interested in the "fantasy" of film than the actual making of films). This man is beautiful. And he's a very good actor. Here's his picture.

And here's the synopsis for Love Songs (Les Chansons d'amour) from the SXSW website, which I hadn't read since I first put it on my big list of movies to watch more than nine days ago:

Christophe Honoré follows-up DANS PARIS with this modernist musical about love and loss in Paris. Taking its cue from Jacques Demy's THE UMBRELLAS OF CHERBOURG, the film is divided into three sections: 'the departure,' 'the absence' and 'the return.' The film features 14 songs by composer Alex Beaupain. Ismaël (Louis Garrel of THE DREAMERS and DANS PARIS) and Julie (Ludivine Sagnier of SWIMMING POOL) are the ideal young Parisian couple. They both have good jobs, a great apartment and are considered part of each other's families. After several years together, they decide to add a spark to their relationship and take on a third lover, Alice (Clotilde Hesme of REGULAR LOVERS), Ismaël's co-worker. She makes an ideal partner at first but things soon become strained between them. And when a tragic event occurs, everyone copes in very different ways. Ismaël pulls away from everyone and finds himself spending time with Erwann (Gregoire Leprince-Ringuet of André Téchiné's STRAYED), a wide-eyed Breton college student. Their relationship both terrifies and surprises Ismaël, but shows him that love is still possible.

That's a pretty good description but not a real accurate portrayal of the story. Alice is there from the beginning of the movie, so the above is kind of back story. But that's okay. I love, love, loved this movie. I cannot wait for it to come out in a regular run because I want people to see it, and I want to see it again. I was so lucky to end my SXSW experience with Love Songs!